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By definition, a caricature is humorous. You have to exaggerate the individual’s unique characteristics in order to make it humorous, but you’re a walking a fine line, because those exaggerations cannot detract from the personality of your subject. Because of the very nature of a caricature, the physical likeness has to be maintained, while the psychological likeness must also be implied. You have to be an artist and a psychologist all rolled into one. Close observation is crucially important in this style of drawing. Sit and look at your subject. Find those facial characteristics about your subject that make him or her unique. Then make a series of preliminary drawings in which you experiment exaggerating the subject’s features, and decide which drawings don’t work and which drawings work. Note: I couldn't locate the photos I had used years ago when I did these caricatures, so I've included what I could locate. Hopefully, they will give you an idea of what inspired me to draw these caricatures.
Woody Allen Writer, Comedian
After observation, for the purposes of caricature, I saw Woody Allen as glasses, nose, intelligently thoughtful eyes, and frizzy hair. The raised eyebrows and overly exaggerated furrowed brows, reinforce the thoughtfulness of this brilliant man. As in most caricatures, the body is very small in comparison to the head. This adds to the humour. However, the body can serve another purpose. In this case Allen is leaning on a typewriter, implying that he is either writing a screenplay or working on his next joke. This entire piece is done with ink cross-hatching. Cross-hatching implies shading, but it is a series of intricate ink lines. In other words, there is absolutely no "smudging" in any of the shaded areas. This style lends itself to newspaper reproduction. At the time I did these caricatures, I had considered the possibility of having them reproduced in a newspaper.
More on How to Draw CaricaturesThese next two caricatures were well-known Canadian politicians.
When learning how to draw caricatures, look for any unusual features. Paul Martin had a wandering eye, which of course, is an opportunity for a caricature artist. I emphasize it humorously...but definitely not critically.
René Lévesque had large ears, a unique nose, and often had a wry expression. I emphasize them all humorously. He was always smoking cigarettes and was usually engulfed in a cloud of smoke. Therefore, when I added his body, of course I included a cigarette.
For a different approach on how to draw caricatures, have a look at this video. I find it interesting and informative. Return from How to Draw Caricatures to |
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